This lesson concerns dramatic inflections to the character's voice. I find this an interesting postioning for this lesson. If this is even mentioned at all, Tom sets this early so that we will already be incorperating feeling into our practice. This once again shows he is teaching ahead of the curve, laying a good foundation to build on. Too often courses covering ventriloquism only handle the mechanics. Bergan has been held up as having poor mechanics but if radio made him sloppy in lip control, he was razor sharp on his acting abilities. Just another reason to recommend this course.This lesson is also the sign up lesson. To continue you must commit, and at that you have a grace period to cancil. You could not get anymore fairer than that. Tom points out that the whole course is less than one private lesson. And you have the luxuary to review each and every lesson.
I'm commited ... in more ways than one.
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